{"id":2162,"date":"2021-02-23T10:42:00","date_gmt":"2021-02-23T10:42:00","guid":{"rendered":"https:\/\/audienceofthefuture.live\/?p=2162"},"modified":"2021-03-03T14:16:33","modified_gmt":"2021-03-03T14:16:33","slug":"case-study-series-innovation-uk-creative-industries","status":"publish","type":"post","link":"https:\/\/audienceofthefuture.live\/2021\/02\/case-study-series-innovation-uk-creative-industries\/","title":{"rendered":"Case study series reveals innovation in UK creative industry projects"},"content":{"rendered":"\n<p>As part of the Industrial Strategy Challenge Fund, the <strong>Audience of the Future programme<\/strong>, funded by&nbsp;<a href=\"https:\/\/www.ukri.org\/\">UK Research and Innovation<\/a>, has enabled the development of a number of innovative and ground-breaking projects across the creative industries.&nbsp;<\/p>\n\n\n\n<p>Revealing the highlights, developments and exciting achievements the funding has led to, this series of case study articles unveils the secrets behind projects including the exciting projects below. Published so far:<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/audienceofthefuture.live\/2020\/10\/framestore-better-animation-faster\/\"><img loading=\"lazy\" width=\"800\" height=\"450\" src=\"https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Framestore-case-study.jpg\" alt=\"\" class=\"wp-image-2164 size-full\" srcset=\"https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Framestore-case-study.jpg 800w, https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Framestore-case-study-480x270.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 800px, 100vw\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<h3>Framestore: better animation, faster<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.framestore.com\/\">Framestore<\/a>\u2019s VFX supervisor Theo Jones explains how they created FIRA, their Bafta and Oscar-award winning Fast Immersive Rigging and Animation toolset that enhances and accelerates the production of character animation, reducing time and costs. <a href=\"https:\/\/audienceofthefuture.live\/2020\/10\/framestore-better-animation-faster\/\">Read full case study<\/a>. <\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/audienceofthefuture.live\/2020\/10\/generic-robotics-in-touch-with-the-future\/\"><img loading=\"lazy\" width=\"1024\" height=\"576\" src=\"https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Twitter-social-card-image-Generic-Robots-case-study-1024x576.jpg\" alt=\"\" class=\"wp-image-2165 size-full\" srcset=\"https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Twitter-social-card-image-Generic-Robots-case-study-1024x576.jpg 1024w, https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Twitter-social-card-image-Generic-Robots-case-study-980x551.jpg 980w, https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Twitter-social-card-image-Generic-Robots-case-study-480x270.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<h3>Generic Robotics: in touch with the future<\/h3>\n\n\n\n<p>Technology company&nbsp;<a href=\"https:\/\/genericrobotics.com\/\">Generic Robotics<\/a>&nbsp;helped to accelerate the use of touch-based \u2013 or haptic \u2013 tools in the creative industries. Its chief executive, Alistair Barrow, explains more about bringing what he calls \u2018the forgotten sense\u2019 into the digital world.. <a href=\"https:\/\/audienceofthefuture.live\/2020\/10\/generic-robotics-in-touch-with-the-future\/\">Read full case study<\/a>. <\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/audienceofthefuture.live\/2021\/02\/mativision-live-from-your-laptop\/\"><img loading=\"lazy\" width=\"800\" height=\"450\" src=\"https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Mativision-case-study-blog-image.jpg\" alt=\"\" class=\"wp-image-2158 size-full\" srcset=\"https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Mativision-case-study-blog-image.jpg 800w, https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Mativision-case-study-blog-image-480x270.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 800px, 100vw\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<h3>Mativision: Live from your laptop<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.mativision.com\/\">Mativision<\/a>&nbsp;feasibility study reveals more about the way in which audiences engage with live immersive music and entertainment experiences. Founder and chief executive Anthony Karydis and experience designer Athina Metridou explains more. <a href=\"https:\/\/audienceofthefuture.live\/2021\/02\/mativision-live-from-your-laptop\/\">Read full case study<\/a>. <\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/audienceofthefuture.live\/2021\/02\/figment-productions-hyper-reality-made-real\/\"><img loading=\"lazy\" width=\"980\" height=\"513\" src=\"https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Current-Rising-Blog-Posts-Featured-Image-980x513-1.jpg\" alt=\"\" class=\"wp-image-2160 size-full\" srcset=\"https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Current-Rising-Blog-Posts-Featured-Image-980x513-1.jpg 980w, https:\/\/audienceofthefuture.live\/wp-content\/uploads\/Current-Rising-Blog-Posts-Featured-Image-980x513-1-480x251.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 980px, 100vw\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<h3>Figment Productions: Hyper Reality Made Real<\/h3>\n\n\n\n<p>Award-winning <a href=\"https:\/\/figmentproductions.co.uk\/\">Figment Productions<\/a> is on a mission to create premium immersive experiences using \u2018hyper reality\u2019. The team has developed new tools and practices that can help creative teams collaborate better, wherever they are in the world. Owner&nbsp;<a href=\"https:\/\/www.linkedin.com\/in\/simon-reveley-575b1b5\/?originalSubdomain=uk\">Simon Reveley<\/a>&nbsp;reveals more. <a href=\"https:\/\/audienceofthefuture.live\/2021\/02\/figment-productions-hyper-reality-made-real\/\">Read full case study<\/a>. <\/p>\n<\/div><\/div>\n\n\n\n<p>Stay tuned for more case studies coming soon &#8211; sign up for <a href=\"http:\/\/eepurl.com\/gYWSdD\">updates<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As part of the Industrial Strategy Challenge Fund, the Audience of the Future programme, funded by&nbsp;UK Research and Innovation, has enabled the development of a number of innovative and ground-breaking projects across the creative industries.&nbsp; Revealing the highlights, developments and exciting achievements the funding has led to, this series of case study articles unveils the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":2163,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":""},"categories":[1],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.2 - 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